Posted by: Megan | January 26, 2013

So. Flowers in the Attic.

Hey y’all!

Before I get to the cover (which is of course a classic), I want to talk about FitA itself a bit. It’s really THE VCA novel, isn’t it? It’s the one everyone’s heard of, if not the only one they’ve read; it’s basically a cultural shorthand for inappropriate sibling relationships/stories about same. People are often surprised to learn that there’s an entire Dollanganger series since FitA is such a thing in and of itself. “Wait, what are the other books about?” people have asked me when I mention there are four other books. “Ummm…more weirdness? And ballet!” I usually say. (People who don’t read at least Petals in the Wind are doing themselves a disservice, I think, it’s more of a conclusion to the initial arc, and all of the rest of that nonsense (Corrine moves in next door! Everyone moves back to the mansion! Bart Jr. and all that jazz!) is more or less tossable. I do like Garden of Shadows though.)

ANYWAY. The Dollanganger series doesn’t really fit into the template of the later series, though it does have a variant on the structure. Have I talked about the template? Am I too lazy to check? Maybe the answer to both questions is ‘yes’ but here’s a thing I came up with whilst curling my hair anyway.

So the formula followed by the Casteel, Cutler, Landry, and Logan series are as follows:

BOOK ONE: Main character (a young girl) is introduced. She will probably have a *fairly* unusual name (Heaven/Dawn/Ruby/Melody) (this may be unusual only for the area/time period). She may or may not have a happy childhood/home life, but at some point in this book she will be made to live with people other than those who raised her. These new caregivers may be relatives or not, but she ain’t staying home. She may or may not have siblings from whom she is separated (Heaven, Dawn)  but she will meet new siblings/relatives in her new home as well. There will be at least one female nemesis, possibly of her own age, (usually a sister), ie Dawn/Clara Sue, Ruby/Gisselle, or an adult mother/grandmother figure, ie Heaven/Kitty, Melody/Olivia. Sometimes there’s double trouble, ala Ruby vs Gisselle/Daphne or Dawn vs Clara Sue/Violet. Main character will probably meet a future love interest, whether or not she knows it and whether or not they are currently love interests (Heaven/Logan takes a hiatus at first, Dawn/Jimmy…is not worth getting into yet).

BOOK TWO: Main character goes away from whatever home she was in at the end of Book One, usually to a school of some kind (though I think Melody stays put), where hijinks ensue. New love interests may be introduced, but will usually turn out to be creeps (Dawn/Michael), will die (Heaven/Troy), or will just be complete disasters (Ruby/Louis). Main character leaves school, either through graduation (Heaven, Melody) or kicked out for pregnancy (Ruby, Dawn) and returns to one or more of their homes. There will be some confrontation with the villain and some kind of return to the MC’s past. Usually by the end of this book they have a baby, whether one they had as a teen or they’ve sped up a few years, gotten married, and had one. Melody, again, throws this off. Hey, screw you, Melody!

BOOK THREE: Main Character is an adult, or is 21 and we’re supposed to act like they’re ancient. They’ve usually developed a degree of independence from their villains and are married. Stuff happens, often involving their children. Many supporting characters, good and bad, die, (Clara Sue/Gisselle/Jillian/Belinda). The Main Character will often learn part of some secret from the past of the villain, enough to make them wonder what else could have happened to make them that way. Ends with the MC usually pretty happy.

BOOK FOUR: The daughter of the previous Main Character becomes our narrator, EXCEPT, AGAIN for the Logan series, which makes Melody’s dead cousin Laura the narrator, ostensibly through her diary, EVEN THOUGH IT ENDS WITH HER DEATH. HER DIARY-BASED NARRATION ENDS WITH HER DEATH. They are young and surrounded by the secrets that their mothers tried to hide in the previous three books. There are sometimes siblings running around, but they’re just plot devices really. A tragedy will befall the Main Character, generally death, whether of both her parents (Annie, Christie) or a sibling (Pearl) or whatever the heck happens to Laura. I don’t remember. LATER! This tragedy results in the MC having to make some life change (Christie has to move in with her creeper uncle and later runs away, Annie has to go live with her creeper grandfather, Pearl has to run through the SWAMPS, Laura is institutionalized) and usually face some villain from her mother’s past (Tony/Philip/Buster/Olivia). MC will eventually find love and the book ends happily OR WITH THEIR NARRATED DEATH.

BOOK FIVE: The prequel. Ohhhhhhhhhh the prequels. As I’ve said before, I tend to trust the prequels, if mainly because they’re not presented as, oh the deathbed confessions or something. Meaning, it’s not like Olivia Foxworth writes this to explain her actions in FitA or something, so I have confidence that what she tells us happened actually happened, she’s not making amends or lying. Does that make sense? Prequels bore me when, like a certain one we just finished, they provide absolutely no new information. I mean, in Garden of Shadows we learn that Corrine and Christopher are actually half-siblings instead of just half niece and uncle, and I don’t think we learned that before. And Alicia was kind of painted as a monster bitch but we learn she was actually sweet? And in OhGODIcan’tremembertheonewithLeigh we learn about how she was abused by Tony and all that when it was presented to Heaven as a seduction and all that sort of stuff. In Tarnished Gold we learned…stuff we already knew. So yay.

Um. That was quite a swerve. The Dollanganger series holds to the five book set up, but prety much does its own thing past that. BOOK ONE is our story, that classic tale of siblings locked in an attic and the wackiness that ensues, while BOOK TWO keeps the same narrator and continues her adventures, but then BOOK THREE is a random piece of weirdness about that narrator’s sons and then BOOK FOUR returns to the narrator’s story and ends with her death. BOOK FIVE is then a prequel, where we learn some interesting secrets but also people’s names are misspelled. So…

I HAVE RAMBLED ENOUGH. Let’s start this fire*.

 

*Wait that’s BOOK TWO

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Responses

  1. Oh god, let me just say that I cannot wait for you to cover the Dollanganger series!

    Also, IMHO, the De Beers and Hudson series kinda follow the templates, too, even though there are some differences (i.e., I think Willow’s about 23 or 24 as opposed to the majority of the series starting with a teenage protagonist & it takes ’til Book Three for Rain to get pregnant).

    Anyway, I always enjoy reading these, so much so that they’re what I check my blog reader for first 😀

    • Thank you so much! I don’t know as much about the Hudson and deBeers series, but I have them on the VCA shelf just waiting.

  2. “Screw you, Melody!” indeed sums it up…
    I can’t wait to heay your input on the FitA madness!:-)

  3. This is a great analysis! I always thought the Dollanganger series was different because it was the only one actually completely written by Virginia herself, the rest where just following “her” formula, while actually creating a sticking too a separate formula, apparently.
    Ugh, the third book in that series is so whack. Wait, what am I saying, the whole series is whack.

    • You’re probably right, although it’s still interesting how it’s *almost* the formula, but then we get If There Be Thorns and god that book sucks.

  4. I can’t wait to get this party started!

  5. I have been waiting for this for so long! So excited!

  6. Ah..instant transportation to when I was 11 years old and first picking up this book in the middle of summer. How my life was changed.

  7. What cracks me up about Garden of Shadows is it does seem to be intended as Olivia telling her story in response to Cathy. In the beginning it starts out with an addendum to her will that basically says that it is to be opened 20 years after her death, then goes on to say that had others not decided to tell their story for personal gain, she would not have to tell her story. What made me laugh was that when Cathy decided to write and publish her book, Olivia had been dead for a full decade already. I guess GOS was ghostwritten heehee! Oh, well. At least it was narrated by Olivia, which I found pretty awesome.

    I cannot wait to read your take on FITA!!!

    • OMG you’re right! Oh man, that’s just so silly, I expect no less from these folks. Thanks for reading!

    • To be fair though, the Grandmother seemed to be right about Cathy about many many things. Maybe she was calling her out a head of time!

      • That’s a good point, but how much of that would have happened if they hadn’t been locked up for three years?

  8. […] most part, the series follows the standard V.C. Andrews pattern, which you can read more about at Trapped in the Attic, but for some reason, the books really weren’t that popular. I think it’s mostly […]


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